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Price: $299 a year, or $799 a year for the Ultimate version.
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The higher end of the two flagship versions, Pro Tools Ultimate, comes with full support for 7.1 sound and other professional sound-design features, again – probably more than the average guitarist requires.
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Its interface, while it has become more intuitive over the years, also presents quite an intimidating challenge.Ĭonsidering the reasonable asking price – and the fact that it’s a subscription-based pricing model – many guitarists will find Pro Tools a bit of a ‘sledgehammer to crack a nut’ solution. It’s powerful stuff, but home-guitarist-friendly features such as Logic’s virtual drummer or Studio One’s arranging tools are notably absent. Pro Tools lets you get very detailed with your audio editing and, being geared towards working studios, has excellent take management. As an added bonus, its ubiquity across the recording world means your personal setup will be able to export and import sessions from a lot of professional studios. There is a range of amp simulators and effects on offer off the bat, and of course full support for VST and AU plugins. Pro Toolsįound in professional studios worldwide, Pro Tools offers hugely powerful audio processing.
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A 30-day free trial is available if you want to give the tools a try before you commit. For those looking for the digital equivalent of a reel-to-reel recorder, however, some of the provided tools could find themselves collecting digital dust on your hard drive.
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This DAW’s intuitive layout and songwriter-focused design means that Studio One provides for solo guitarists looking for a powerful piece of software to compose, record and edit in. And If that’s not enough, there’s also full support for both VST and AU plug-ins – as opposed to Logic Pro X and Garageband’s AU-only support. In terms of amp simulation, Studio One offers Ampire, a fully-featured set of virtual amplifiers, pedals and cabs.
This analyses your chord progressions, letting you get a clear picture of your composition and experiment with new ideas. There are various composing tools included, such as drag-and-drop arranging of verses, chorus, etc, and a ‘harmonic editing’ feature. PreSonus’ Studio One Professional is geared towards ease of use, especially for solo musicians. Overall, though, it’s a great DAW to start with, especially if you want to learn the ropes before moving up to Logic – as its interface shares a lot of the same language. And like its bigger sibling, it is exclusive to Mac OS.
However, its lack of a price tag does come with a few caveats – there’s no varispeed recording, or take management – meaning recording new takes will have to be done on new tracks. Guitarists looking for in-depth audio editing also might find Logic’s power a bit lacklustre, yet for most basic recording tasks, it’s got more than enough chopping and splicing tools. There are some downsides, however – Logic Pro X is exclusive to Mac OS, and only allows third-party plugins if they’re in the Audio Unit format. Varispeed recording also lets you slow down your song to record at a slightly more leisurely pace. And If you’re having a hard time nailing a tricky riff or solo, its take management is also very intuitive, letting you quickly overdub a part several times – swapping out various bits and pieces of the recording with just a few clicks. Tweaking these is also very intuitive, with simulated controls all the way down to mic placement position.įor some accompaniment, Logic’s built-in AI drummer means backing tracks complete with dynamic drum parts are very easily created – without any prior knowledge of drum programming needed. If you’re looking to run your guitar direct, it offers a range of virtual pedals, amps and cabinets to shape your tone. Apple’s Logic Pro X is a well-equipped DAW for the price.
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